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Casino Women is a pioneering look at the female face of corporate gaming. Based on extended interviews with maids, cocktail waitresses, cooks, laundry.
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[Excerpt] Casino Women is a pioneering look at the female face of corporate gaming. Based on extended interviews with maids, cocktail waitresses, cooks, laundry.
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Ho had four women he called his wives, and a complex network of family relations that were sometimes shaken by fights over power and.
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photographer Courtney Asztalos's portrait series “Purple Domino,” which captures the special glamour of the women she observed in casinos.
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[Excerpt] Casino Women is a pioneering look at the female face of corporate gaming. Based on extended interviews with maids, cocktail waitresses, cooks, laundry.
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Celebrate the great female country artists of our time at Spirit Mountain Casino! See a tribute concert to Dolly Parton, Reba McEntire, & Shania Twain on July
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photographer Courtney Asztalos's portrait series “Purple Domino,” which captures the special glamour of the women she observed in casinos.
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Authorities are searching for two women who were caught on camera drugging a tourist at the Hard Rock Casino in Hollywood before they.
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Two women spiked a tourist's drink at a South Florida casino before bringing him back to his hotel room and robbing him of $ cash and a.
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Women in Islam In pre-Islamic Arabia, the condition of women was terrible. The Quran elevated the status and rights of women in seventh-century Arabia, but.
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Will be used in accordance with our Privacy Policy. Most of them are elderly or close to it. Read More. Photo Boot h.{/INSERTKEYS}{/PARAGRAPH} {PARAGRAPH}{INSERTKEYS}Casinos, by careful design, create a reality unto themselves, removed from the regular contours of time and space, with no clocks or windows or moments of quiet that might allow for mental pause. More: Photography Women Casinos Portraits. The light catches the lines and sheen of their makeup, the texture of their mascara. The sensation of suspended animation conjured by this relentless atmosphere—the unusual limbo patrons enter, between public appearance and anonymity, engagement and withdrawal, activity and surrender—is perhaps part of what draws people to casinos in the first place. Some of them told Asztalos about their lives, but she chose, in the end, to present the portraits without those narratives attached, allowing them to exist in the detached, in-between space of the gaming floor. The New Yorker Recommends What our staff is reading, watching, and listening to each week. Andrea DenHoed is the copy chief of newyorker. Some were there on vacation, or on a lark; others had been coming for years or even decades, religiously playing the same machines. Asztalos would usually photograph them right in front of the machines they were playing, sometimes hurriedly, because her subjects were eager to get back to the game. By Andrea DenHoe d.